By The Decade Movie Recommendations – The 70’s

I thought it would be a fun exercise to try and bring together some of my favorite films from the decades, once a week for November. It’s a good opportunity to revisit some classics while also showing you wonderful folks some films you may or may not have seen. I will try and combine a mix of both more mainstream classics (like, “you’ve got to watch this one at some point in your lifetime”) and the ones that snuck under the radar, aka the “didn’t even know this existed, but it’s kind of a gem” type.

Ah the 70s, a time I wish I was a teenager in so, so, so badly for the massive cultural upheaval, dramatic world events and most prominently, the birth (or continuation) of some of my absolute favorite music and artists that I listen to today (and many others do too). Anything from Allman Brothers to Little Feat, Pink Floyd to Zeppelin, the Who, etc. I have spoke with many an individual who grew up during this decade who spoke of the massive opportunity ahead, the challenges the world faced, and the the general passion for the arts that that dominated American (and international) society and altered cultural norms, particularly in the West. While the Cold War raged on and Vietnam was still at the top of many minds, politics drove conversation and social issues were pressing, something was happening within the studios of the ever-growing film industry. Changes that that began to make a dramatic transformations to quality, editing, sound, cinematography, scope and overall success at the box office that would set the stage (pun intended) for years to come.

Let’s dive into some great films from this decade and a few gems you may have missed.

The Classics (aka, you need to see):

The Godfather, The Godfather Part II (10/10): Two of the finest films ever made, widely regarded as such. The story of the Corleone family from Italy to America, their exploits and everything involved in the forming the Italian-American mafia.

Chinatown (10/10): What begins as a routine job for Los Angeles private eye Jake Gittes (Jack Nicholson) goes from zero to a hundred all too quickly. A case of infidelity transforms into an investigation into corruption, lies and secrets that goes further down the rabbit hole than you’d ever expect. This has it all: mystery, drama, suspense, Nicholson and Faye Dunaway.

The Sting (10/10): Two of the finest actors of their time, Robert Redford and Paul Newman, are legendary con men looking to settle a score with a notorious crime boss. The ever-crafty pair comes up with an elaborate scheme that goes off the walls and has a five star conclusion you won’t want to miss. Great acting, great story.

One Flew Over the Cuckoo’s Nest (10/10): One of the earliest films my father showed me that made me realize what a quality movie really is. Jack Nicholson stars as a criminal who pleads insanity and is admitted to a mental institution, where he rebels against the oppressive nurse and bonds with the patients. Hilarious, suspenseful, sad, happy – this movie gets it all, and it does everything so beautifully right. Masterpiece.

Star Wars (8.5/10): The birth of one of the most profitable movie and commercial franchises of all time, A New Hope was the start of the stuff childhood action dreams are made of: laser guns, lightsabers, spaceships; all bundled in a nice drama-filled, action-packed movie. It’s campy and the dialogue is cheesy at times, but it forever changed the world of film and must be recognized as such.

Monty Python’s The Life of Brian + The Holy Grail (10/10): Bundling these two works of comedic genius into one, the UK’s Monty Python crew compiled two of my personal favorite (and widely regarded as excellent) comedies during the 70’s that portray history in a different light. Cult classics, and must viewings for any comedy buff.

Anne Hall (& Manhattan) (10/10): A comedy/drama/romance unlike anything you’ve ever seen before, with some of the most clever dialogue and unforgettable one-liners, acted and directed by the brilliant Woody Allen. Anne Hall is my favorite and considered by many to be his magnum opus, but Manhattan is also excellent.

Willy Wonka & The Chocolate Factory (9/10): A childhood classic for many, and taking on deeper interpretations as I’ve aged, Roald Dahl’s writing is transformed in shining color into this magical piece of filmmaking which follows a young, poor boy who wins a chance to visit the legendary, but secretive, chocolate factory of Willy Wonka (the ever-memorable Gene Wilder, who was born to play this role).

Jaws (9.5/10): If you haven’t seen it yet, you owe it to yourself to watch this classic piece of Americana filmmaking that spawned everyone’s irrational fear of sharks and changed how we see blockbuster films. Iconic Spielberg and one of the defining films of a generation.

Martin ScorseseMean Streets (9/10) & Taxi Driver (10/10): Gritty, realistic, dramatic and captivating, these movies were part of the launchpad that turned Scorsese into a legendary Hollywood filmmaker. Taxi Driver in particular, starring Robert De Nero as a mentally unstable taxi driver in New York City, compelled by the crime and disgust in the world around him to take action, is incredible.

The Deer Hunter (10/10): A long, dramatic and heart-wrenching tale of the grittiness of war and what it means to move on, the Deer Hunter left its mark on me as I think it does with everyone who sits through it. De Niro is outstanding as always, but his contemporary, Christopher Walken, is really who makes this movie outstanding for me. It captures the horrors of the Vietnam war and the lives soldiers lead back home in amazing detail. This film took home five Oscars including best picture in 1979.

What You May Have Missed

Blazing Saddles (10/10): A legendary comedy, one of Mel Brook’s finest, featuring the equally legendary Gene Wilder and Cleavon Little as Bart, the first black sheriff in an old western town soon to be destroyed by the railroad company.

The Exorcist (8/10): For me, this is the birth of modern horror. The scenes in this film stick with you forever and are genuinely terrifying, even for the time in which it was made. If you are into horror, this is a classic.

Amadeus (9/10): The Oscar-winning story of a young Mozart, dazzling audiences, changing the way music was played and ultimately impacting composition for all of time. It’s filled with plenty of humor and drama, of course.

Alien (9/10): One of the finest works of Sci-Fi/Horror you will ever witness, Alien follows a crew aboard a deep-space shuttle are awakened from their cryo-sleep capsules halfway through their journey home to investigate a distress call from an alien vessel, uncovering a nest of strange eggs inside the ship that are more than malicious. Sigourney Weaver is brilliant as ever in this terrifying classic.

Stanley Kubrick A Clockwork Orange & Barry Lyndon (9/10): Two masterpieces in their own right, directed by one of the greatest filmmakers of all time. Very different tales, one about corporal punishment, one about and Irish con-man of sorts, what is really worth watching here is the incredible attention to detail and subtle filmmaking techniques that (sorry, I keep saying this but it’s true) changed the way movies were made for decades to come in terms of dialogue, angles, lighting, atmosphere, etc.

Network (9/10): A brilliant parody of mainstream media – the story of a raving madman who is accidentally cast on primetime cable news and becomes a nation-wide sensation for his rantings about life, politics, the “system” and everything you can think of that is remotely controversial. Funny, incredibly interesting, and one you must see in 2020.

Apocalypse Now (9/10): Francis Ford Coppola (of the Godfather Trilogy) directs this hard-nosed, dramatic Vietnam masterpiece which follows the perfectly cast Martin Sheen as Captain Willard on a increasingly strange journey upriver to find and terminate Colonel Kurtz (Marlon Brando), a once-promising officer gone AWOL.

Dirty Harry (8.5/10): Clint Eastwood, taking the wild west justice to the modern streets in this thriller is a wild ride, full of action and classic Eastwood at some of his best.

Rocky (8/10): Americana at it’s finest and a cultural staple, Rocky deserves credit for being integrated into all of our daily lives in some small way. It’s not about the dialogue, the cheesiness or the sequels, but the trials and tribulations of an average joe doing the best he can, that makes this film what it is.

BEST OF SEPTEMBER 2020: TOP 5 TRACK/EPs OF THE MONTH

CLICK HERE TO JUMP TO TOP ALBUMS OF THE MONTH

TOP 5 SONGS OF THE MONTH

5.) bonnie & clyde maxime.
[Alternative]

This dude is something special and I’m not sure why exactly. maxime. is a poster child for the indie-alternative genre. With not a large following at all, his songwriting and producing abilities create the illusion he’s a superstar. bonnie & clyde oozes maxime.’s talent in every second of the song. Complex, yet organized, this track seems to be the musician’s way of showing off what he’s got.

4.) Spotlight (feat. Daniel Bedingfield) Hermitude
[Electronic]

One of the leaders in bridging the small gap between disco, funk, and electronic music, Hermitude adds another fantastic track to his arsenal. This deep track complete with vocals from Daniel Bedingfield is sure to get you moving your feet and forcing a smile on your face. The track is driven by both its deep bassline and the vocals, but has those uplifting vibes for you to use as we quickly approach fall and winter.

3.) Bad Things Alison Wonderland
[Electronic]

The Aussie future bass producer delivers yet again with an emotional banger. The beginning sounds like any Alison Wonderland track, which almost turned me off initially. But when that that massive lead synth comes in to smack you in the face, I knew this track would be one of her more special ones. The airy drop synths give me Flume and Quiet bison vibes, which seems to be the trend future bass is headed in. AW also delivers on an artistic music video. While I’m not fully sold that Alison Wonderland is expanding from her safe sound, if this is a direction she’s considering following, I’m completely on board and have high hopes her sound will mature and grow into something very special.

2.) Heartbreak Bonobo & Totally Enormous Extinct Dinosaurs
[Electronic]

Two legends bring straight 90s elecro-garage vibes on this track and I’m in love. The British producers Bonobo and Totally Enormous Extinct Dinosaurs (TEED) teamed up for a collab I never knew I needed. The crisp clean drums are the obvious driver of the song, but that 90s house vocal combined with that TEED synth magic forms a track that’s full of good vibes and happy times.

1.) Siren Tourist
[Ambient]

Tourist with the buzzer beater to take this months top track. Released on 9/30, I was debating including it in my “Best of October” list, but this track is too goof not to share. Ethereal and ambient are Tourist’s bread and butter. The British (what are they putting in the water in Britain?) Grammy award winning producer brings some garage vibes with this song, which seems to be a trend started with his previous release Last. This rather new direction Tourist is headed is exciting as he does best when pushing boundaries outside of his comfort zone. A+ to one of my favorite producers with this track as I’m sure it will be a song to throw on during quite reflective and thought-provoking sessions.

TOP 4 ALBUMS / EPs OF THE MONTH

4.) Orca Gus Dapperton
[Alternative]

The Brooklyn boy is back with his highly anticipated sophomore album. Gus’ songwriting abilities have propelled him to the top of the indie-pop scene recently, making me incredibly excited for this album. There are some absolute gems on this album; mainly the singles however. First Aid, Post Humorous, and Bluebird are all my standout tracks. But I hate to feel Gus fell a little short on this record by not expanding too much on his sound and songwriting. Msot songs follow the same Gus formula from his previous album and other than the standouts, the album as a whole doesn’t sound particularly unique. Still a very fun album to listen through and determine your own opinions.

3.) MMXXDiplo
[Ambient]

If you’re looking for Diplo drops for your squad to bust down and twerk to, then this is NOT the album for you. The legend has no qualms with experimenting in his production, as is prevalent if you just look through his discography. He’ll drop a house track the same day as a trap banger only to come back with a pop hit the next week. But this album is truly something unique and special even for Diplo. Say what you want about the man, but he’s objectively an incredible producer. MMXX proves this by showing Diplo’s softer, emotional side. Entirely melodically based, you’ll never hear the slightest hint of drums or percussion on this whole album. While drums are Diplo’s usual repertoire, MMXX proves to any naysayer that Wes is elite both technically and musically. An unexpected yet impressive album to a man who has not needed to make a point in quite some time. Just all for the love of music.

2.) Heaven Inc. EP Shlohmo
[Electronic]

Prepare yourself to get introspective. The incredibly talented Shlohmo blesses us with a masterpiece of an EP. Shlohmo’s style is evident just with one listen through. He bends the idea’s of structure and arrangement in electronic music, paving his own road for unique and wonky pieces. While the song’s sounds may be alien, the emotions Shlohmo is able to conjure to listeners are very familiar. Nostalgic, dark vibes somehow clearly squeeze there way through the seemingly random assortment of electronic sounds he produces with. But placement is crucial and what may sound random to you is strategically layered to give you some of the best production in the scene.

1.) Nectar Joji
[Alternative]

Another highly anticipated sophomore album on the list, this time from rising pop superstar and former YouTube prankster Joji. His debut album, Ballads1, was an instant classic and one of my favorites in the past decade. I had high hopes for Joji this time on Nectar. Joji has such a special and emotional voice that really sets himself apart from anyone else in the industry. Nectar is able to capitalize on that as there’s a “sad boi” theme throughout the album. I’m a sucker for sad boi tunes. But again, the best songs on this album seem to come from the previously released singles. Maybe I just need some more time for the rest of the album to sink in? Regardless, I’ve been replaying this album and it’s been such an easy record to listen through. Great work from Joji, but I still think Ballads1 sits atop of his discography ranks.

CHECK OUT THE “BEST OF SEPTEMEBER 2020” PLAYLIST BELOW

Artist Spotlight: Durante

Maia is one of Durante’s most well known songs, and I first discovered it when it was introduced on Bonobos Fabric Remixes

I’ve been on a bit of a kick lately with this guy who really caught me by surprise a few weeks back. I was in the midst of browsing similar artists recently: Tourist, Amtrack, Le Youth, Maya Jane Coles, etc. and at the end of my playlist came Spotify radio. This led me to a handful of Durante selects that immediately caught my attention. So, I begun to dive into his discography – and boy was I impressed by the sheer complexity and depth of his compositions and remixes that seem to transcend boundaries of electronic music in more ways than one.

Borrowing from some quotes from online and elsewhere, as an Italian-based producer and DJ, he’s drawn to the edge and intersections of house and techno. This intersection produces a wonderfully dreamy mixture of trance house and deep house, with beats that keep hitting hard without shaking you too deep. They keep you energized without making you overly anxious. The music just flows in such a way that it makes for perfect background music to virtually any activity – a personal favorite would be driving (especially at night). But he also can fit into a workout or work routine with ease. I encourage you to find your own medium as I believe he has a little something for everyone.

I found a quote recently that captured this in great detail: “Durante strives to create a body of work as versatile as his experiences. It’s a worldly sound. It’s rich and romantic, like his early childhood spent in his birth country of Italy. It’s tropical and vibrant, full of Latin color like his formative years in Florida. It’s daring and adventurous, like when he moved to Los Angeles without ever having seen the Pacific coast, but it’s also mature, refined through the past five years as he’s learned from missteps and opportunities alike how to synthesize his influences and surroundings into something both personal and relatable, danceable but poignant, comfortably familiar but distinct from the pack.”

It is this diversity that has made me continue coming back to Durante this month, and likely will keep me along for the ride in the future. He incorporates beautiful female vocals when appropriate, such as on Days Pass (Durante & HANA). But he is equally powerful in his own right. I was especially drawn to his progressive but brief Unraveled Album, with songs like Split Wick. Other songs like Restless (linked below) blend the border between upbeat and dance-y with a dreamlike synth overlay to it, once again showcasing these deep textural compositions which just have so much to offer.

If you are interested in this kind of vibe, I encourage you to check out my newest playlist, here to explore some similar content. Enjoy and let us know what you think!

Concert Review: Marcus King Band

Mama we made it! The first show since quarantine began finally happened. It’s been 6+ long months of cancelled shows, rescheduled events, and music withdrawals. I’m being dramatic, of course, but if you are a fellow concert goer you know exactly what I’m talking about. If you’re curious, check out my post here for a rant.

And what better time to ring in the return of live music than with a beautiful, late-summer night at the Yarmouth Drive-In on Cape Cod. But this was no ordinary show. The format was, literally, drive-in style! You pay for your car which you can pack full of your buddies, then drive into one of three “sections” where there are 100+ roped-off bays you can park your car in. In classic drive in fashion, we popped open the trunk, enjoyed a few beers and watched the show relatively close to the stage all things considered, complimented by two massive displays on each side.

Although in my case, my buddies were in fact just my girlfriend who self-admittedly was more in love with Marcus King for the 2hr+ duration of the show.

I’ll get into the experience in a minute, but let’s start with the music. I have been following Marcus King and his Band for about 2 years or so now after I saw them open up for Tedeschi Trucks in 2018. He was the first opener at the time and literally left the crowd in an uproar with his incredibly powerful blues crooning and insanely complex guitar shredding – and I remember being nothing but impressed. Since then, I missed a few of his shows up in New England but have continued to explore his short discography and have been hooked.

What makes Marcus so unique to me is his ability to be the most unassuming young front-man in blues rock today. Because honestly, if you look at him straight up, you would never expect the walls of sound this dude shells out night after night. Marcus has a voice that is fit for Blues: raspy, hearty, intense but soft as butter when he’s hitting those low notes. He can yell (oh, he can) but never pushes the limit or cackles. It always arrives at this pleasant high note that makes me think of what a male Bonnie Rait would be like. When he’s singing through verses, he brings this sensitive subtlety to his vocals which brings his Tennessee twang out on full display without being overbearing. The result are songs led by magnificent southern blues rock vocals that keep you upbeat and genuinely overjoyed. And my favorite part – he incorporates his country-boy twang in some way into each song without succumbing to the same country-esque tropes we see so many blues rockers fall to these days for the sake of pop stardom. Admirable, to say the least.

The Marcus King Trio is 2/3 of the full Marcus King Band, and is made up of lead singer and guitarist, Marcus King, drummer Jack Ryan, and one of the jam band music world’s rising bassists, Stephen Campbell. Although the MKB Trio is made up of two-thirds of the players in the Marcus King Band, the sounds of each are noticeably different. I’ve heard the trio itself compared to the sound of Cream, Derek Trucks, Dickie Betts, and other power-driven guitar leads.

While I prefer his sound with the full band rather than the show’s Trio, given a large majority of his songs incorporate keys and several horns, the trio was a fun transition into rock and roll which carried by attention throughout. In addition, it gave Marcus the opportunity to shred endlessly which was a spectacle in itself. In fact, it was some of the more outrageous shredding I have seen in recent memory, albeit slightly muffled by the limited sound quality. Regardless, you could tell the man had full control of the guitar. It also produced this solid wall of sound which impressed me for a three-man group. I wished we had seen more of the bassist Campbell who showed signs of greatest on stage left throughout the two hour performance, but I will be looking for him in the future.

One Day She’s Here was a phenomenal jam, followed by the hard-rocking likes of hits Virginia, a grimy, southern-style anthem, and The Well, one of his newest singles off of El Dorado (his most recent album) that gets the crowd going with intense vocals and monster soloing throughout. My favorite of the night very well may have been a cover of Buddy Guy‘s “I Smell Trouble” which sounded better than the original. There were a handful of additional covers sprinkled in here and there that he certainly made his own and only added to the performance. He even covered “Ohio” by CSNY which was a nice treat – complete with its own unique MK-spin. He also tossed in a few new songs, both of which we enjoyed thoroughly (but unsure of the names).

I’d encourage you to check out: The Well, Rita is Gone, Virginia, One Day She’s Here, Goodbye Carolina, Where I’m Headed, Homesick

While I’ll always take a traditional venue over something like this, given COVID and all the nuttiness going on, this was a perfect alternative. I loved chilling in the car, being able to bring a few brews and just actually chill for a change at a rock show. We even brought snacks which is straight unprecedented as you know. Imagine trying to walk into the Boston House of Blues with a Granola Bar, god forbid.

On top of this, the venue was stacked full of food trucks you could order from right on your phone. Thus marked the first time I mucked some fried dough while watching blues rock live. And I have to say it was a lovely compliment. Everyone felt safe enough given the distance, and I think it made everyone much more at ease (plus being outside, obviously). I would 100% try something similar again if the COVID continues. I would almost compare it to some kind of homey, town fair-type experience where you have all the locals just tossing back brews in their cars, all gathered to watch some local event. It gave it a really relaxed, comfortable atmosphere which I enjoyed thoroughly.

My one complaint about the whole experience was the sound quality was sub-par at best, and just not tuned well to capture all of the ferocious jamming from Marcus and his trio. The issue was that you have the sound coming from stage front ahead of you, but the speakers were largely stacked far, far back behind the entire 3 sections of cars. This created an interesting sound quality that had us hearing reverb from the back with drums and the occasional guitar lick ringing from the front. But hey, I suppose that’s what you get for a recently closed drive-in-turned-rock-venue. But next time, I would either choose another venue or make a formal request for some improved sound quality. Admittedly, we could’ve tried to put it on the radio but that seemed like it kinda defeated the point of being at a show…

All in all, we had a terrific time and it felt good to taste the sweet, sweet sound of live instruments again. I’ll definitely be looking for (and letting you guys know of ) any similar shows coming up. Score: 7/10

BEST OF AUGUST 2020: TOP TRACKS & EPs/LPs

CLICK HERE TO JUMP TO TOP ALBUMS OF THE MONTH

TOP 5 SONGS OF THE MONTH

5.) Revival SMLE & Just A Gent
[Electronic]

This SMLE and Just A Gent collab is just a straight up fun dance track. Minimal but complicated. It seems like they just combined the funnest sounds they could find and expertly arranged them into this track.

4.) Daylight Joji & Diplo
[Alternative]

In my opinion, one of the top hip-hop/pop artists in the industry right now, Joji teams up with legend Diplo for this masterpiece of a track. The catchy chorus with Joji’s impressive vocals layered over an emotional instrumental will have you swaying your head back and forth while the tears flow down your face. Gasolina song.

3.) The Prince Madeon
[Electronic]

The Frenchmen brought the heat on his first single since the release of his sophomore album Good Faith. While not as dark as his Celine EP which was ripped from vinyl earlier this week, The Prince is an intense downtempo track that’ll get that heartbeat pumping.

2.) escape jaron
[Electronic]

The 17 year old electronic protege kills it with this massive single. Jaron’s been on the radar for a few years now; which is a wild thing to say at just 17. Getting discovered at 14 by the likes of San Holo and Madeon certainly helps, but if Jaron can keep up delivering these incredible tracks, he’ll be around for a long time to come.

1.) Mirror Porter Robinson
[Electronic]

You shocked Porter is topping this list? The third single from his upcoming album Nurture and, in my opinion, the best we’ve heard. Porter describes the meaning of the track and some further insight on the album as a whole in this amazing interview. I have not been able to stop bumping this beautiful song.

TOP 5 ALBUMS / EPs OF THE MONTH

5.) Desire Bob Moses
[Dance]

Throw this album on if you’re in a melancholic mood. It feels like an example of what would happen if Deadmau5 and Rufus Du Sol collabed on an album. The Canadian duo had a lot of expectations for this record, and they absolutely checked all the boxes.

4.) Poom Gems Hudson Mohawke
[Electronic]

Okay hear me out. Give this album a chance please. The opening track All I Need may trigger your ADHD and turn you off, but just survive until Solstice Izo and you’ll fall in love. The producer legend returns with his second album of 2020 and I’ve had it on replay since its release. If you don’t think you know who Hudson Mohawke is, you more than likely have heard at least five songs he’s made. Forming the famous trap duo TNGHT and producing for legends like Kanye West, Drake, Lil Wayne, just to name a few, he’s no stranger to the spotlight.

3.) ENERGY Disclosure
[House]

The British boys are back with another heater of a record. While some tracks I feel fall short on the album, there are some house anthems on here that’ll quickly become staples in the house scene. I would’ve liked to see the album be a bit more cohesive as it feels kind of all over the place in terms of song placement, but I’m just happy we have new Disclosure to critic them too much.

2.) 7G A.G. Cook
[Electronic]

7 discs. Almost 2 hours and 40 minutes of songs. 7G is almost more of a collection than it is an albums. It has original songs, remixes, and covers of pop hits, including an incredibly strange cover of Sia’s hit song Chandelier. A.G. Cook is the creator of the PC Music collective, and even produces most of Charli XCX’s records. Another dude on this list with his second album of 2020, except this one has 49 songs on it. Do your best to sit through cause it’s a treat.

1.) BRONSON BRONSON
[Electronic]

Odesza x Golden Features is a match made in heaven. I wasn’t sure what this album was going to hold when I first heard of the collab, but it absolutely exceed expectations. Dark and melancholic, which is a change-up from the normal Odesza vibes, BRONSON makes me wish live shows were back so we could see these guys tour together.

NEW MUSIC: Madeon – Celine EP (12122017)

Back in 2017, sandwiched between the Adventure and Good Faith eras of Madeon’s impressive electronic music reign, the French music producer had hit a wall. Writer’s block for musicians can feel like then end of the world. During this period, Madeon said that music made him “feel nothing”, which is a far cry from the lush, complex, and emotion provoking music he’s known to create. So while most musicians would take a step back to reevaluate their purpose and direction, what did Madeon do? Well on 12/12/2017 (making the EP appropriately named), he sat in front of his DAW and created music for 24 hours out of pure anger. The Celine EP is the product of that session.


While he may have never had the intentions of releasing this project during its creation, Madeon has taken to the internet after releasing is critically acclaimed sophomore album Good Faith (2019) to open up and expose some of his deep rooted insecurities. But fans had to work for this one. The release and discovery of the EP was hidden within lines of code that Madeon fans sifted through for months to discover the meaning behind the mysterious word “Celine”.


It’s quite clear this EP came from deep rooted anger as this is the darkest work we’ve ever seen from Madeon. It’s what I’d imagine his work would be if he tried to replicate the dark industrial techno vibes of the legend Gesaffelstein. Seeing this live would be a treat. So would actually holding a physical copy of the vinyl, the only medium Madeon released this project on. But alas, that is seeming to be only a dream as the musician only released 200 of the physical records to the public. Already on discogs.com, the cheapest resale will run you $750 (someone even listing it for $100 million which is completely absurd). But have no fear (no more), lucky fans who received the record have generously ripped the vinyl and posted it on YouTube for all to hear. Check it out above!

Welcome to the Fall – What I’m Listening to This September!

Hi people. Feels like it’s been forever since I put together my music choices for a month. This summer wasn’t my best with music discovery and exploration – too much heads down grinding during the weeks. Now that things have begun to settle a bit, I’ve gotten to dig into both new releases (which there have been a TON of lately) and some old favorites which I’m sharing with you today. As always, hit me up with any new music you’ve discovered lately and I’ll feature your picks next post.

Disclosure Energy (NEW ALBUM) – I was psyched to see a fresh album coming from one of the biggest names in the British electronic scene, who hasn’t made headlines in years with their last album coming in 2015. 2015!?! These guys were on top of the world from 2013-2016, and I was genuinely curious where they disappeared to. Although honestly, if I made that kind of money I would be out taking year-long breaks between shows and album creation spending it exploring. So, props to them, I guess! While I was not completely floored by any song in particular, I thought the album as a whole was a fantastic piece of work that embodied everything Disclosure was about. It certainly captured their “sound” which brings together house, jungle house, electronica, techno, and deep house in one fun, party-fueling package that is sure to hit the club scene as soon as it’s back to normal. Was it a problem that I loved the interludes more than anything else?? They showcased their just general electronic talent and I think that spoke to me more than anything (they are really cool and worth checking out – don’t skip em as you would most interludes).

Give a listen to: “Expressing What Matters”, “Thinking Bout You”, “Fractal”, “My High”, “Ce n’est pas”, “Ecstacy”

Lol this is the interlude. Sounds like some old-school hip hop something…

Lane 8Cross Pollination (NEW ALBUM) – I was pretty floored by this album. Not only was his last album, Brightest Lights which came out earlier this year, an incredible, incredible electronic triumph. But he followed it up with a shorter, 7-song list of gems with nearly every song being (in my opinion) excellent. This is one I have been sharing all week to friends – this guy is the real deal and will continue making his name on the scene for years to come. I encourage you to poke through his older discography as well as the man has this unique, mellow-but-vibey feel to his work which keeps you going and simultaneously puts you in a trance. Like a Shallou type, but even better with more complex compositions. Perfect for doing work, a car ride, or anything really. Sometimes I get a lot of Deadmau5 feels with this guy (plus a fresh spin) which I absolutely love.

Check out: “And We Know It Was Our Time”, “Run”, “Roll Call”

Tame Impala – Tiny Desk Concert (Mini Quarantine Show) – I do love me some Mr. Impala. Wasn’t as big lover of his most recent album although I fully expected to be given how much I loved his previous work. But it has grown on me a bit since starting. Either way, the man has a terrific catalog of music, and although I’m partial to his earlier albums, this was an awesome chance to see the guy using a lot of different tools at his disposal in a very unique setting. Very cool, fun, and certainly a place I’d like to be, chillin with some very talented Aussies!

Leo Kottke & Mike GordonNoon (NEW ALBUM) – This is a fun little acoustic piece Mike Gordon posted on his Instagram last week that I had to explore a bit more. With Gordon on bass and the legendary Kottke on acoustic guitar, the two jam in what looks like a sauna for a wonderful collection of 11 songs that bring in elements of folk with a more modern lyrical twist that kept me engaged and peeking into Kottke’s past works (hadn’t heard of him much before this). Gordon on the other hand, I love – and it was cool to see him play bass in this style that was much softer and more subdued. But the syncopation when the two were playing together is just fantastic and worth a viewing.

Try “Flat Top“, “From the Cradle To The Grave“, “Eight Miles High

Jerry Garcia, David Grisman, Tony RiceThe Pizza Tapes Extra Large Edition (2011)- This was a fun find by a friend today who just sent this over. Plenty of versions that cover the OG pizza tapes’ versions with various takes, bringing in a handful of free-form jams, quick cuts, outtakes and fun little diddies that I thouroughly enjoyed.

Explore: “Louis Collins“, “Rosa Lee McFall”, “So What“, “Shady Jam

Billy Strings and Marcus King – Summertime & Midnight Rider (Cover, Video) – Bless your ears with this unreal rendition of the classic “Summertime”. I feel like every year we get a new cover of this, but hell is this one of the best I’ve heard in recent memory. Two absolute beasts of vocals and guitar joining forces to create a fun, upbeat, jam-filled collab that makes you smile all the way through. Give it a listen, ASAP! Midnight Rider is equally fun – they do a few songs together in total – all on YouTube and each is excellent.

i_orévolution (2020), other releases since 2019 – A really, really talented techno-focused DJ I just started exploring over the past few months. Turns out he’s a modern-day legend on the scene. Who knew?! Definitely worth checking out if you are into more upbeat, high-tempo techno and trance music for a little change of pace.

Tom MischGeography & What Kinda Music (Albums) (2018, 2020) – I really hadn’t given English musician Tom Misch enough of a chance until the GF put on his new song in the car the other day, “Kyiv”, which I absolutely loved. So, naturally I started digging in a bit and was so happy with the results. Misch’s 2018 album, Geography is a unique take on heavy, funk-synth basslines with very clever drumming throughout, and some interesting ambient vocals that don’t take seem to away from his more instrumentally-driven work. One of the things I love about his music is his ability to combine a jazzy-feel with very modern, thick electronic and hip-hop tone to his music. It makes for some very fun, complex beats that leave you bobbing your head without realizing. It’s almost hard to define the genre, and that’s a very good thing! What I enjoyed even more was What Kinda Music, featuring Yussef Dayes, which featured mostly instrumental tracks and gave the pair a chance to showcase their diverse tastes and musical abilities.

Check out these songs for a taste: “Last 100“, “Kyiv“, “Tidal Wave“, “Sensational“, “Nightrider“, “Lost in Paris“.

Love this video

Floating Points – Printworks (2019) (Live Recorded Show): Just watching this for the first time tonight and I am very impressed. If you are not familiar with Floating Points, he is a British producer and electronic DJ who combines elements of techno, deep house, future house, ambient electronic, and tech-house sounds into one wonderful package. This show in particular showcases a terrific light show and had me wishing I could go back to my venues downtown, combining plenty of music to get you up on your feet moving, with others designed to put you in a trace, close your eyes and just feel the performance. Very impressive and I would love to see this guy live someday. Check out his albums: “Crush” and “Elania” as well.

Wayne Shorter Speak No Evil & Juju (1999): Wayne’s birthday was apparently this week, and a page I follow posted something about his discography, honoring his work as a “legend” of jazz. It was then I realized I hadn’t ever really listened to much of his work. What I discovered was an absolute gold mine of saxophone talent at the highest level. The man has won 10 or more Grammy Awards, and was brought under the wing of (and taught by) the legendary John Coltrane back in the day, and those two facts alone speak for themselves. He has worked as both a saxophonist and a composer with equal success and produced many standards that remain to this day. If you enjoy a solid jazz comp, give this a try. JuJu and Speak No Evil were particularly AWESOME.

Try “Infant Eyes“, “Speak No Evil“, “Footprints“, “Witch Hunt“, and “Night Dreamer

That’s all for now folks. Send me in more reccos and stay safe out there!

Much love —– Connor

In Honor of the Return of Sports, Let’s Take a Look at Some of the Greatest Sports Films of All Time

It has, without a doubt, been a wild last few months here. And by here I mean everywhere. For me, you – all of us. And in all the commotion, I have been really bad about posting. So I apologize. But we are back now, officially. That means more routine, scheduled posts. So tell yo kids tell you wife and please help us share our content as we get this bad boy going!

Indulge me to take a quick step back from the nonstop carnage of our world for just a moment, though – we do have one thing to be thankful for, as weird as it sounds. And that is the return of Professional sports. Even sports feel a little odd though – all these tournaments, round-robins, playoffs? Where are we and what is this universe. But thank the good lord we have something to stare at on the TV that isn’t terrible, sad, or depressing. Although watching the Bruins actually brings the stress levels up to max capacity, it’s still the greatest thing on cable. Also, shout out to Celtics and Bs both winning their series quite handily.

Ah – Sports, the medium where we can all kick back, put our feet up, and watch some of the most talented, spectacular human specimens around the world compete for glory on the biggest stage. The stage feels a whole lot bigger this year, though. Your audience for every major sport that has returned (MLB, MLS, NBA, NHL, UFC, etc.) is probably going to double in terms of viewership, for the pure fact that there has been such a drought of athletics for so long that literally anything is better than nothing. It’s a unique opportunity for sports to try and bring us together a little more than usual – even if your favorite teams are not playing (or have already been eliminated). Because finally, we actually have someone, or something, to root for.

Sports gives us the chance to put aside our bullshit for a minute and actually focus on a cause outside our day-to-day lives, even if it isn’t for anything more than pride and pure regional allegiance. But hell, is it fun. And these films I’m about to list capture the best in sports in such a light that makes them worth regular re-watches – because they give us that sense of the majesty that can only be achieved on the field, on the big screen. Whether you are a sports fan or not – there is a very high probability that if you grew up watching movies, even occasionally, your life was touched by one or many sports films. As a kid watching some of these, I know it got me hyped up beyond belief – and it still does as an adult.

Sports films have their inherently corny moments, we know this as a tried and true fact. And there have been a fair share of terrible ones, indeed. But this is to be expected, because really a lot of the corniness that we see as just cheese is in all actuality the same substance that makes these movies great. While there are an equal amount of sports comedies out there, I will save that for another post and stick with the more “serious” of the group in this one.

Rudy – 1993; (My Score: 10/10): Need I say more. The greatest sports film of all time? I think many would agree. Rudy Rudabeger is the iconic underdog story – the story that shows all of us that with enough drive, energy, and genuine passion for the game and doing what you love, you can and will achieve your dreams. In short, its a classic (and true) story about an underdog recruit / walk-on for the Notre Dame football team who leaves everything on the field for his chance at a shot at glory. To get there, he has to get through the death of his loved ones, work his ass off on and off the field to support his education, work hard in class to maintain his standing and balance the life and dreams of a young man who wants to leave his mark on history. Plainly said, a requirement for all sports fans, and one of the most inspiring films ever made. Also this film stars Samwise goddamn Gamgi, I mean what more could you possibly ask for (although this was many years before LOTR).

Miracle – 2004; (My Score: 10/10): One of the greatest movies about US sports ever made, and absolute triumph of filmmaking, it should be a requirement by age 18 that every American should watch this movie at some point in their lives. The film follows the historic 1980s U.S. men’s hockey team in the Olympics, led by Herb Brooks (Kurt Russel) in the deep days of the cold war. The team is a ragtag group of college studs , all with their own agendas and ways of playing – but they unite under a dream, a dream to beat the heavily favored Soviet team who had been dominating opponents for years. It is an epic tale of perseverance, grit, excitement, and the ultimate underdog story. AND – its based on a real story! This is piece of American history we are talking about. Kurt Russel shines as Brooks here, and is really the centerpiece of the entire film. “Who do you play for?” – “I play for the United States of America”. You owe it to yourself to give this one a look – about as close to perfection in a sports film as you will see.

Rocky – 1976; (My Score: 9/10): A movie as American as apple pie, and the film that shot Sylvester Stalone in to the limelight. Rocky is the classic underdog (noticing a theme, here?) story. Fun fact, the film had a budget of just $1M, and remains one of the most successful sports films of all time to this day, spawning a half dozen or more sequels as a result. The original is, in my opinion, the best of these for a variety of reasons. It personifies Americana of the day and age and really shows the grit and hard work required to be come truly great. Rocky could be any of us, and I think that’s why this film resonates with so many. He is just an average guy, living in below-average circumstances, who wanted to be great. Rocky is a tale that shows us we are much more than our income, job title, looks and dress. What really matters is heart (see, corniness again but its true I mean just watch the movie!). The ability to “go the distance” where no fighter has gone before, to earn the respect of himself above all. He didn’t even want to win, the man just wants to prove himself and show he’s actually much, much more than just your average joe. And for that, Rocky has been immortalized in sports and film fame forever.

Million Dollar Baby – (My Score: 10/10): An academy award winner for best picture, and deserving so – MDB is an absolute masterpiece in every way. I have never met anyone who watched this film and didn’t have positive things to say. I watched this movie at age 10 or so, when I first really started to get into movies, and I remember just the raw, incredible emotion Hilarry Swank brought to the limelight. Not only is this movie heartbreaking, but it just shows you how unfair and cruel the world can be, even when it should have every reason to be behaving differently. You laugh, you cry (frequently), but most of all – you actually feel like you are going through this incredible struggle of a female boxer in a world where everything is turned against you, as a participant, rather than a viewer. One of the most raw, uncut views at sports and the cruelty behind violent ones in particular. Outstanding cast and directing by the amazing Clint Eastwood. This one ain’t no picnic, so don’t go in expecting one!

Coach Carter – (My Score: 8/10): Another excellent sports film that explores deeply both questions of race and the struggles of growing up in a challenging world as a young man, and the efforts of one, unique coach in bringing together a struggling band of misguided students. One of my favorite Samuel L. Jackson roles and an iconic message about the importance of focusing on your future rather than always thinking about RIGHT NOW. As in, you have to be able to succeed off the court if you can ever ac ahieve your dreams on it. Because otherwise, you are just prioritizing one thing and eventually setting yourself up for failure. There is more to life than sports, and Director Tom Carter showed us this here.

The Hustler – 1961; (Score: 10/10): The greatest movie about pool ever made, and a Paul Newman classic. This piece of film legend follows a young, suave pool shark and hustler who makes his living challenging unwitting opponents and making a name as one of the greats, until he blows his shot at success against the greatest player in the world due to vanity alone. He must then work against his own demons and face the problems in his life before making his way back to the table to take on his opponent again in one of the most satisfying conclusions to a film I’ve seen in recent memory. A classic, but dated and definitely not for everyone, and very different from most on this list.

Raging Bull – 1980 (My Score: 9/10): One of the grittiest, most intense films ever made about boxing starting the immaculate Robert De Niro, a middleweight boxer who risks his life, love, health and family as his rises through ranks to earn his first shot at the middleweight crown. It shows you the highest highs he achieves within the ring, and the lowest of lows when his life becomes completely consumed by his drive to succeed at his career. Scorscese is brilliant as ever in this black-and-white biographical drama based on Jake LaMotta’s life and story. I personally found this film a little hard to watch at times, but that in no way is a reflection of the quality of the film and more just my preferences. This is a masterful piece of cinema and is widely regarded as one of De Niro’s greatest roles and Martin’s best films. Gritty. Gritty. Gritty. Loving that word today. But the best of the best films generally are in that they touch on the uncomfortable things we don’t always want to see or hear, but need to see or hear. Because life isn’t always cupcakes and rainbows.

Remember the Titans – 2000; (My Score: 9/10): One of the finest football films ever put to screen, RTT is a true story of the first Black coach in a segregated Virginia community who is in charge of leading a recently integrated group of athletes through the trials of the game, and everything involved off the field around the time it is based (1974). I watched this at a very young age and was blown away by Denzel’s strength as an actor, and the his ability to command a screen and lead this group of divided individuals together towards one common goal. Particularly in light of recent BLM movements, I think this movie is as good a watch as ever, and an important piece of history we should all look to for a message of unification and the ability to find common ground where there seems to be very little.

Hoosiers – 1986; (My Score: 10/10): This is one of my personal favorites ever. It follows the story of a small town, underdog school basketball team in Indiana, who through grit, perseverance and sheer will – and thanks to the coaching of Gene Hackman -transforms into championship contenders. Its a tale of redemption, determination, and improbable victories – everything a good sports film requires. It’s a classic, and I guarantee if you ask you parents they will have something nice to say about it. Hackman’s acting as coach Dale is exceptional, and showcases some emotional sides that he usually hides in his more serious roles we so frequently see him starring in. His assistant, Dennis Hopper, is equally enjoyable to watch alongside his boss as he battles internally and externally alongside the court to transform a group of students into true believers in themselves and their team. Outstanding score, picture-perfect sets and an underdog atmosphere set the stage for one of the greatest endings in sports movie history. Just a terrific film right here.

The Sandlot – 1993 (Score: 8/10): What story better personifies the love of baseball and childhood than Evan’s The Sandlot? It’s a childhood right of passage (at least where I come from) to watch this movie, whether you are an athlete or not. The reason this movie is so great is it is as much a sports film as a movie about growing up. While the centerpiece of the film is, quite symbolically, the sport and love of the game that keeps this team of misfits and friends together, equally important is the story of growth outside of the diamond and the adventures of this iconic young crew of pals. Is it a perfect movie? No. But it excels in being authentically about the experience of the young athlete, and the joy of playing together as a team where I certainly met many of my best friends, to this day. I think we can all relate to this one, even a little.

I could keep going, but let’s stick with this for now… What would YOU have on this list?

P.S.: Three others I would put on this list: Moneyball, Field of Dreams, and a League of Their Own.

Have an awesome week my friends.

NMF: WEEK OF AUGUST 8th – 14th, 2020

TOP 10 SONGS OF THE WEEK

1.) Shepherdess – SheHealsEverything (2016) Porter Robinson
[Electronica]

Wow. I’d say I was speechless if I didn’t have to write a little section here. August 12th was the 6th Anniversary of his first album Worlds and Porter blessed his fans with quite possibly the greatest birthday gift ever. “Shepherdess/She Heals Everything” is a live edit previously only heard at Worlds live shows. For the last 4 years, fans have desperately tried to find a full auto quality file of it, even going as far as to remake the song, with zero success. To the surprise of every single human being, Porter released it on SoundCloud with a full quality download. I could not be happier. For the last few years, I’ve told everyone about this special track. It is, in my opinion, the most beautiful song ever created. These feelings and opinions stem largely in part to the visuals and vibes you experience at the live show, so I’ve included a video of it at his Second Sky performance last year. This song will be on replay most likely for the rest of my life. A 10/10 song that will leave you crying and headbanging all at the same time.

2.) The Prince Madeon
[Electronica]

New Madeon AND Porter Songs this week?! I’d call this week one of the bests for music within the last few months. A continuation of the Good Faith era, The Prince sounds like it was too dark and moody for Madeon’s sophomore album, but definitely fits the vibe. Taking some synthwave influence with his signature Madeon vocals, drums, and synths, this song should be simply labeled as “epic”. It’s a guaranteed pump up track. After debuting it at Porter’s festival Second Sky in 2019, I’ve been bumping the low quality of this for over a year now. I’ve prayed to my French God Madeon for this release, and he delivered.

3.) escape Jaron
[Electronica]

I’ve been following Jaron for about 3 years now ever since Madeon (see a trend in this top 3?) would play his song “Sonder” in his sets. Also forgot to mention that Jaron is CURRENTLY 17 YEARS OLD. So if my math is correct, I’ve been following him since he was 14. How in the world so much talent is contained in this kid is possible, I will never know. But I’m happy it is. “escape” is another masterpiece from the wonderboy. The music video is oddly similar to Porter’s “Get Your Wish” music video, but the song is just a production treasure. Jaron has this incredible ability of making his synths and supersaws sound massive while still light and airy. At only 17, the world is Jaron’s oyster and if he continues this impressive trend, we’ll be treated to some of the best produced music for years and years to come.

4.) Sweet Summer Sweat (feat. Dijon) Jim-E Stack
[Electronic]

One of the top producer’s in the world at the moment, Jim-E Stack has been dropping some fire lately. The follow-up of his previosu single “Note To Self”, “Sweet Summer Sweat” is a beautifully crafted summer-single with a catchy guitar hook and vocals borrowed from the talented Dijon. Will be bumping this on the beach (once COVID will let me) while simultaneously sweating.

5.) Why Do We Shake In The Cold? Elderbrook
[Dance]

A brand new song off his debut album “Why Do We Shake When It’s Cold?” set to be released September 4th, if the album-titled single is a foreshadow of what to expect off the album, we’re in for a treat. Elderbrook has quickly become one of my favorite dance-house producers as of late. “Why Do We Shake When It’s Cold?” provides another hauntingly beautiful vibe that Elderbrook seems to have perfected. Excited for the album release!

6.) Chicane QUIX & Juelz
[Dubstep]

Throwin’ in a heavier one for y’all. I try to limit posting my “scrambled eggs brain” music on here since I know it’s not the most popular among the general public, but I couldn’t resist with this QUIX and Juelz collab. QUIX is so damn good at producing such clean yet heavy mixes it’s absurd. And the RL Grime protege Juelz knows the formula for epic breakdowns. This banger is a collab made in heaven. Be sure to wear your neck break when listening.

7.) Buggy Yotto & Lane 8
[House]

I feel like it’d be weird to have a NMF without seeing either Yotto or Lane 8’s name on the list. The two have been consistently pumping out songs throughout 2020 with zero loss of production quality. In fact, they may continuously be getting better. “Buggy” is a melodic house journey that’ll take you deep inside your soul. The perfect song to vibe out to or drive around. Yotto and Lane 8 quite literally always deliver.

8.) Zeit & Raum Ben Böhmer
[House]

Another familiar name to NMF (and in the same “house” club as the previously mentioned Yotto and Lane 8), Ben Böhmer’s newest single is absolutely phenomenal. What are these melodic house dudes drinking cause they’ve just been pumping out quality for the last few years and show no signs of slowing down. “Zeit & Raum” is a gorgeous tune, with horns driving the melody throughout the song and that signature slappy Ben kick. Loving this tune.

8.) FleshNet Eprom
[Experimental Bass]

Eprom has been blowing up in the scene recently for good reason. His production skills are incredible, having the ability to cleanly create such complicated yet coherent mixes. He sits atop the experimental bass scene with friend G Jones creating complex sounds neatly arranged into musical numbers (somehow). For those curious about the experimental bass scene, “FleshNet” is a decent place to start. Killer 808’s & subs that’ll shake you to the core and eerie detuned synths to make feel uncomfortable, yet wanting to dance your little white collar ass off.

10.) Outta Here RL Grime & Whethan
[Trap]

Two dudes who need no introduction, I was pumped for this collab when I heard the announcement. Being completely honest, I’m a tad disappointed. It’s not bad by any means, but there’s nothing special about the track considering the two names pasted on it. Five years ago this track would’ve been a chart topper. Today, I fear it’ll get lost in the over-saturated trap anthem club. Not terrible, but I expected a whole lot more from these two.

CHECK OUT & FOLLOW THE “Best of August 2020” PLAYLIST BELOW:

BEST OF JULY 2020: TOP TRACKS OF THE MONTH

TOP 5 SONGS OF THE MONTH

5.) Problems (feat. Olan) Mat Zo
[Electronic]

Mat Zo is just a music production machine. There are very few people as respected and revered in the producer world as the British phenom is. The man behind some of my favorite songs of all time (queue “Easy” by Mat Zo & Porter Robinson next) returned this month dropping this electronic masterpiece. The vocals mixed with those slappin’ kicks and snares in the intro makes me so desperately wish I was in some steamy, sweaty nightclub somewhere in the heart of Berlin. Then come the ridiculous synths in the second drop. Zo is the Picasso of the producer world.

4.) Douha (Mali Mali) (feat. Fatoumata Diawara)Disclosure
[House]

The brother duo that needs no introduction, Disclosure has returned strong in 2020 prepping for a big album release soon. There more recent work has taken some heavy African influence which, admittedly, took some time to grow on me. The drums are the key driver of these songs and it goes without saying that they’re absolute perfection. If you have some patience with this track, my favorite part of the song comes in at 3:47 with an incredible synth section reminiscent of that classic trademarked Disclosure sound. It should go without saying that I am absolutely STOKED to see what these boys are dropping in the very near future.

3.) Blue (Flume Remix)Eiffel 65
[Future Bass]

Obviously this track was going to return to the top of the month charts. Since its release, I’ve constantly been bumping this on my work commutes. It’s just the perfect remix made by the perfect producer. Objectively (okay maybe a sprinkle of subjectivity). Flume is the best producer in the world right now.

2.) Post Humorous Gus Dapperton
[Alternative]

Prepping for his sophomore album “Orca” set to release September 18th, Gus Dapperton dropped this delightful single. A little more pop-influenced, this direction Gus seems to be taking his music is stupid exciting. His quick rise has been a treat to watch. I honestly don’t know who would call his music bad. If you were to look up “good music” in a dictionary, Gus’ face (and wild hair) would be smiling right back at you.

1.) I’m Gone Oliver Tree
[Alternative-Pop]

A meme lord, professional scooter rider, and one of the best modern alternative artists in music right now. Just a quick, condensed resume for the man known as Oliver Tree. Ugly Is Beautiful is my top Album pick for July and “I’m Gone” was the standout track in my opinion (it was a hard decision. Check out “1993” and “Jerk” as well). As the closing track of the album, it seems Oliver may be retiring the “Turbo” persona. If this is truly goodbye to Turbo, the memes may be gone, but some of the best music in pop culture at the moment is hopefully around to stay.

Check out the rest of the “Best of July 2020” Playlist below: